Showing posts with label drawing. Show all posts
Showing posts with label drawing. Show all posts

Trademarks of the '40s & '50s Review & Ratings

Trademarks of the '40s and '50s
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Trademarks of the '40s & '50s Review

In this age of computerized clip-art, the works housed in this collection may not be as impressive - or perhaps surprising - as they were at its 1988 publication. Still, the beauty of these trademarks and the cleverness of their design are both a pleasure to view and and a source of inspiration. By pulling these logos out of their sublimated context and displaying them front and center, they turn into works of art.
Baker and Blik have gathered together a wide range of logos, including some very familiar (The Pep Boys, Zig-Zag, Elsie the Cow), and many more hopelessly obscure - but no less fascinating. And by organizing around themes, the reader can get some ideas as to how themeatic elements came and went with the years.
A nice coffee-table or bathroom book that is also at home on a graphic designer's bookshelf.

Trademarks of the '40s & '50s Overview



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A Critic Writes: Selected Essays by Reyner Banham (Centennial Books) Review & Ratings

A Critic Writes: Selected Essays by Reyner Banham (Centennial Books)
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A Critic Writes: Selected Essays by Reyner Banham (Centennial Books) Review

Few twentieth-century writers on architecture and design have enjoyed the renown of Reyner Banham. Born and trained in England and a U.S. resident starting in 1976, Banham wrote incisively about American and European buildings and culture. Now readers can enjoy a chronological cross-section of essays, polemics, and reviews drawn from more than three decades of Banham's writings.The volume, which includes discussions of Italian Futurism, Adolf Loos, Paul Scneer Dart, among others also generally provides incisive accounts of the contemporary architecture by Frank Gehry, James Stirling, and Norman Foster. It conveys the full range of Banham's belief in industrial and technological development as the motor of architectural evolution. Banham's interests and passions ranged from architecture and the culture of pop art to urban and industrial design. In brilliant analyses of automobile styling, mobile homes, science fiction films, and the American predilection for gadgets, he anticipated many of the preoccupations of contemporary cultural studies. Los Angeles, the city that Banham commemorated in a book and a film, receives extensive attention in essays on the Santa Monica Pier, the Getty Museum, Forest Lawn cemetery, and the ubiquitous freeway system.Readable, provocative, and entertaining, this book is certain to consolidate Banham's reputation among architects and students of contemporary culture. For those acquainted with his writing, it offers welcome surprises as well as familiar delights. For those encountering Banham for the first time, it comprises the perfect introduction.

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